@PublicTheaterNY's Richard II, the most important question: why are we doing this play right now? The answer isn't "because it's Shakespeare." To sit with this question when they programmed the play and producing the radio play. 17/
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@aewaiwhy asks how militarism and empire enter through the back door of cultural tourism in these appropriations of other cultures. AD here: also think about the collusion of Shakespeare with empire and militarism. 28/Näytä tämä ketju -
Question about making edits to the Shakespearean texts to remove the racist language or the rhetorical violence of the play... What do we do when we edit? Are we fixing a problem or are we hiding a problem? Can we fix the problem with that language?
#ShakeRace 29/Näytä tämä ketju -
Color conscious casting, requires thinking through the discomfort of this language. @drlettycgarcia "it's important to face up to the ugliness of this language."
#ShakeRace 30/Näytä tämä ketju -
The privilege of being able to say Othello is not about race. We must be attuned to these questions, and they asymmetrical relations of power that inhere in them.
#ShakeRace 31/Näytä tämä ketju -
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