Scaffolding these conversations is just as important but a lot more difficult than doing it for our actors or our students because we don't have enough contact with our audience. The scaffold must be built quickly. 15/
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What about non-Anglophone productions? "Many productions exist outside of the periphery of whiteness" @drlettycgarcia, talking about Mendoza and Huapango. There are effective productions that are being made outside of the Anglo-American sphere.
#ShakeRace 26/Näytä tämä ketju -
@drlettycgarcia "Take Risks." and
@noraj_williams and @drlettycgarcia "We love Shakespeare, but...." This is a universal feeling for scholars of color in Shakespeare studies. 27/Näytä tämä ketju -
@aewaiwhy asks how militarism and empire enter through the back door of cultural tourism in these appropriations of other cultures. AD here: also think about the collusion of Shakespeare with empire and militarism. 28/Näytä tämä ketju -
Question about making edits to the Shakespearean texts to remove the racist language or the rhetorical violence of the play... What do we do when we edit? Are we fixing a problem or are we hiding a problem? Can we fix the problem with that language?
#ShakeRace 29/Näytä tämä ketju -
Color conscious casting, requires thinking through the discomfort of this language. @drlettycgarcia "it's important to face up to the ugliness of this language."
#ShakeRace 30/Näytä tämä ketju -
The privilege of being able to say Othello is not about race. We must be attuned to these questions, and they asymmetrical relations of power that inhere in them.
#ShakeRace 31/Näytä tämä ketju -
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