Things we should always be considering.... 5/ #ShakeRacepic.twitter.com/PzgtfPDtR2
Voit lisätä twiitteihisi sijainnin, esimerkiksi kaupungin tai tarkemman paikan, verkosta ja kolmannen osapuolen sovellusten kautta. Halutessasi voit poistaa twiittisi sijaintihistorian myöhemmin. Lue lisää
@noraj_williams sharing new research on @PublicTheaterNY's radio play production of #RichardII. Theater education as something broader than interaction with students. citing @ERLathrop's work on teaching artists planting important questions in the audience. 16/
@PublicTheaterNY's Richard II, the most important question: why are we doing this play right now? The answer isn't "because it's Shakespeare." To sit with this question when they programmed the play and producing the radio play. 17/
How can we keep prioritizing the democratization of theater when we return to some semblance of our old world. 18/
@EarlyModernDoc reads @emeramchugh's paper, because tech issues :(. On the 1993 "The Hamlet Project," low budget production that played across Ireland. 19/
A school teacher stormed the stage in protest declaring "there are no homosexual acts in Shakespeare. [...] this isn't Shakespeare, I want my money back." 20/
The people want their Hamlet. We are also free to interpret Shakespeare in our own way. The question is: who owns Shakespeare.... 21/pic.twitter.com/eZw5dDpnEC
"Ireland should explode the polite relationship to Shakespeare, that Shakespeare is not an English writer, but a confrontational writer"--Fiona Shaw on Irish Shakespeare 22/
Shaw on Shakespeare, affected by the postcolonial relationship between England and Ireland. 23/pic.twitter.com/HTBwWJUxVj
We're at the q&a. Talking about what to do with a dramaturge, usually folks don't know what to do, and with Shakespeare, people usually think they know what this is. 24/
@noraj_williams precarity exists in the theater, for actors of color. Also within the asymmetrical power dynamics backstage. 25/
What about non-Anglophone productions? "Many productions exist outside of the periphery of whiteness" @drlettycgarcia, talking about Mendoza and Huapango. There are effective productions that are being made outside of the Anglo-American sphere. #ShakeRace 26/
@drlettycgarcia "Take Risks." and @noraj_williams and @drlettycgarcia "We love Shakespeare, but...." This is a universal feeling for scholars of color in Shakespeare studies. 27/
@aewaiwhy asks how militarism and empire enter through the back door of cultural tourism in these appropriations of other cultures. AD here: also think about the collusion of Shakespeare with empire and militarism. 28/
Question about making edits to the Shakespearean texts to remove the racist language or the rhetorical violence of the play... What do we do when we edit? Are we fixing a problem or are we hiding a problem? Can we fix the problem with that language? #ShakeRace 29/
Color conscious casting, requires thinking through the discomfort of this language. @drlettycgarcia "it's important to face up to the ugliness of this language." #ShakeRace 30/
The privilege of being able to say Othello is not about race. We must be attuned to these questions, and they asymmetrical relations of power that inhere in them. #ShakeRace 31/
Twitter saattaa olla ruuhkautunut tai ongelma on muuten hetkellinen. Yritä uudelleen tai käy Twitterin tilasivulla saadaksesi lisätietoja.