insidious ways in which race and racial metaphors are ever present in society, easily accessed and deployed. That's what we're trying to show, not a "lobotomized" literature, as Morrison says. 2/2 #ShakeRace #FolgerCRC
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Näytä tämä ketjuKiitos. Käytämme tätä aikajanasi parantamiseen. KumoaKumoa
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agree, but even in rehearsals, I have actors starting to make their own substitutions and we've been scrambling to find ones that scan occasionally. We have conversations in rehearsal, and program notes. I read something a couple years ago about the impact slurs have on
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the people who have been hearing them as attacks for years and since then, I do my best not to use them in performance
#ShakeRace
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I remember reading Bloom talk about his struggles with the Merchant of Venice - he said he felt the play could never be staged well because to show it’s real greatness would mean to play UP the antisemitism, highlighting the contradictions that power the play
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Even when you make Shylock sympathetic the play is still incredibly anti-Semitic. I have some reflections on my students' performance of the play on my website. See also Ayanna Thompson's Code-Switch episode.
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I respectfully disagree. No we do not need to be censors and puritans.. though some directors may go that route?
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I think you agree with me, though. We don't need that language cut.
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