Spot the problems:
"strange as it may seem, a large amount of minstrelsy’s appeal was non-racial. The minstrel stage was 1 of the few places in which 19thC men cld publicly express their emotions, particularly their softer, amorous emotions" #ShakeRacehttp://ow.ly/jROI30qEjB1
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Also assumes that racial impersonation is free from racism. Is ignorant about the long tradition of inking up to play Othello, and of Othello as white property. Finally, if you must play him do but if you do blackface to do it, expect to be challenged.
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well when you use “men” when you really mean “white men” then you are already on the precipice
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this reminds me of William Lhamon’s argument that minstrelsy wasn’t a racist performance.