Oh wow, I looked up the production description. Yikes.
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Kiitos. Käytämme tätä aikajanasi parantamiseen. KumoaKumoa
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It's got everything: white god complex *plus* POC as emotional support-staff for elite white women's suffering.
Kiitos. Käytämme tätä aikajanasi parantamiseen. KumoaKumoa
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I no longer assign books with troublesome covers. There are so many and I think the editors at
@penguinusa@wwnorton &@OUPAcademic need to take a look at the catalogue with this in mind (McTeague, for example!) -
I can usually find an edition to adopt that has the scholarly apparatus I’m looking for without this kind of harm. And if I can’t then we work with a pdf. I just can’t ask students to buy this.
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Oh ick. This also makes me wonder if anyone has collected the covers of Shakespeare publications, because that could be a really useful tool for a class to think about how book covers direct the narrative.
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I’m doing something with Othello.
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Kiitos. Käytämme tätä aikajanasi parantamiseen. KumoaKumoa
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Oy. yes. Btw fav moment of my semester: discussing race and 12th night (and She’s the Man) a student concluded that white popular Shakespeare remakes need period plays to have been white so they can make the “progressive” choice in token-casting a POC. Still thinking about this.
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Adaptations like She's the Man, Romeo + Juliet, 10 Things should be put in the context of teen films which also have notoriously white casts and token POC. It's the Hollywood forumla. I think Branaugh popularized colorblind casting in film with his Much Ado.
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I know. I like some of the critical supporting content in this edition but the cover is BIG yikes
Kiitos. Käytämme tätä aikajanasi parantamiseen. KumoaKumoa
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