I wonder if the old white people who laugh at innapropriate moments during American Moor, know what side of the narrative they’re digging themselves into...
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I got to ask him about laughter (mostly in Othello productions), but his answer was really fascinating! I agree that there is more laughter in this iteration- more wooing of the audience (on his own terms) since The Globe?
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But felt there were so many registers of laughter from shared recognition to discomfort.
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