Dōgen

for exported files, yeah; try to avoid lossy->lossy transcodes when possible

your savings from H.265 aren't gonna be night-and-day, though; expect maybe 20%-range with current encoders

and aren't your exported files tiny compared to the raw footage?

(hi from the national association of broadcasters conference)

Grab me a BMPCC 4k plz

I played with their new one; it kicks ass (esp. in low light) but isn't out until september

If only I had a 12 bit monitor haha

_nobody_ has a 12-bit monitor, everybody just dithers down to 10 or 8 you record in a higher sample depth to give more room for error in compression and editing (same reason you would want to record audio at >48kHz for music mastering when you distribute at 44.1)