It's kinda interesting how stories that turn into cult classic landmarks (as opposed to critical darlings), they tend to hew to the most classical of story structures like Campbell. Star Wars, Fight Club, Groundhog Day, Rick and Morty... all classic Campbellian structure.
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All Keanu Reeves movies are pure Campbellian. Point Break, Matrix, John Wick... he might be the most Campbellian hero ever.
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And nobody has ever come up with a meaningful story structure model that's significantly different from Campbell. They simply increase/decrease the number of points in the cycle, kinda like resolution. The most I've seen is 52 (Save the Cat) and the least is 2 (stress/relief).
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