They want to deliver an ultimately satisfying experience. So with only two seasons to work with, they started asking themselves what was left to do. What could they build with the pieces left in the box? What beats did they just have to include? /17
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By placing so much emphasis on the ending, the showrunners changed the nature of the story they were telling, meaning the original story and the original characters aren’t the ones getting an ending. Their substitutes are. /28
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That’s why no amount of spectacle or fan service can make this ending as satisfying as it should be. Resolutions invite us to consider the story as a whole; where it all started, where it all ended up. And we can feel the discontinuity in this one. /29
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Well that ended up being a long thread. So here’s a picture of a very nice dog. /30pic.twitter.com/YcJZ7COvff
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Like reading about Game of Thrones, but wish you didn’t have to scroll through a thread longer than the Long Night?
@WIRED has published an updated version ahead of this week’s finale:https://www.wired.com/story/game-of-thrones-plotters-vs-pantsers/?fbclid=IwAR3xbLEU4R1yP1-x-GEpg0JiHnlAHb9_v41d2nyI1cxyzdAV6p2vZrhe3AI …Prikaži ovu nit
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The end is key. A journey to nowhere has no value and a journey to a bad destination has a negative value. The journey is granted value by a great ending (which the HBO Plotters are clearly delivering). We owe Martin much, but his work is rescued by Plotters.
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