So the books the showrunners were adapting ran out. What now? People assume the show suffered because they didn’t have GRRM’s rich material to draw on anymore, as if the problem was that he’s simply better at generating new plots than they are. But that’s not what happened. /14
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Is pantsing better than plotting? No. And this has nothing to do with which approach is ‘right’, anyway. It’s about the approach changing in the third act. That’s the sort of thing an audience can feel happening, even if they can’t put their finger on exactly why. /25
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The audience fell in love with one kind of show, but the ending is being imported from a different kind of show. Now, I happen to think the finale will stick the landing. It’s what the showrunners have been building toward these past two seasons, after all. /26
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But to be satisfying, it matters how we get there, too. Treating the journey as equally important is how you get endings that feel earned. And it’s how characters keep feeling real the whole way through, even though they’re completing arcs some writer has chosen for them. /27
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By placing so much emphasis on the ending, the showrunners changed the nature of the story they were telling, meaning the original story and the original characters aren’t the ones getting an ending. Their substitutes are. /28
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That’s why no amount of spectacle or fan service can make this ending as satisfying as it should be. Resolutions invite us to consider the story as a whole; where it all started, where it all ended up. And we can feel the discontinuity in this one. /29
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Well that ended up being a long thread. So here’s a picture of a very nice dog. /30pic.twitter.com/YcJZ7COvff
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Like reading about Game of Thrones, but wish you didn’t have to scroll through a thread longer than the Long Night?
@WIRED has published an updated version ahead of this week’s finale:https://www.wired.com/story/game-of-thrones-plotters-vs-pantsers/?fbclid=IwAR3xbLEU4R1yP1-x-GEpg0JiHnlAHb9_v41d2nyI1cxyzdAV6p2vZrhe3AI …Prikaži ovu nit
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