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Criterion Collection
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Criterion Collection
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Criterion CollectionVerified account

@Criterion

Since 1984, we’ve dedicated ourselves to gathering and publishing the greatest films from around the world. For our streaming service follow @criterionchannl.

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criterion.com
Joined February 2009

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    1. Criterion Collection‏Verified account @Criterion Jan 15

      Announcing our APRIL 2021 titles! ✨ http://bit.ly/CriterionApril2021 … This spring, brace yourself for an eclectic batch of genre-twisting pleasures from Bong Joon Ho, Olivier Assayas, Frank Borzage, Jean-Luc Godard, and Anthony Mann.pic.twitter.com/V4wje7fhfF

      70 replies 485 retweets 3,272 likes
      Show this thread
      Criterion Collection‏Verified account @Criterion Jan 15

      In his breakthrough second feature, MEMORIES OF MURDER (2003), Bong Joon Ho explodes the conventions of the policier with thrillingly subversive, genre-defying results.pic.twitter.com/SEAdbJCifW

      10:58 AM - 15 Jan 2021
      • 138 Retweets
      • 933 Likes
      • 𝘾𝙝𝙧𝙞𝙨𝙩𝙞𝙖𝙣 𝙏𝙖𝙜𝙧𝙖 #ENDSARS B🇬🇭 ivory Ebony Davis Kenny I bark at people A d i t Supreme
      12 replies 138 retweets 933 likes
        1. New conversation
        2. Criterion Collection‏Verified account @Criterion Jan 15

          Combining a gripping procedural with a vivid social portrait of the everyday absurdity of life under military rule, Bong fashions a haunting journey into ever-deepening darkness that begins as a black-comic satire and ends as a soul-shattering encounter with the abyss.pic.twitter.com/X169IhmaxW

          2 replies 50 retweets 350 likes
          Show this thread
        3. Criterion Collection‏Verified account @Criterion Jan 15

          IRMA VEP (1996), the live-wire international breakthrough of Olivier Assayas, stars Maggie Cheung as a version of herself: a Hong Kong action-movie star who arrives in Paris to play the latex-clad lead in a remake of Louis Feuillade’s classic silent crime serial LES VAMPIRES.pic.twitter.com/t2e6K2D4JZ

          4 replies 48 retweets 301 likes
          Show this thread
        4. Criterion Collection‏Verified account @Criterion Jan 15

          Blending blasts of silent cinema, martial-arts flicks, and the music of Sonic Youth and Luna into a hallucinatory swirl of postmodern cool, Assayas composes a witty critique of the nineties French film industry and the eternal tension between art and commercial entertainment.pic.twitter.com/3I70xD50f0

          2 replies 12 retweets 132 likes
          Show this thread
        5. Criterion Collection‏Verified account @Criterion Jan 15

          Suffused with intoxicating romanticism, HISTORY IS MADE AT NIGHT (1937) is a sublime paean to love from Frank Borzage, classic Hollywood’s supreme poet of carnal and spiritual desire.pic.twitter.com/8LSAT2PLOt

          2 replies 27 retweets 160 likes
          Show this thread
        6. Criterion Collection‏Verified account @Criterion Jan 15

          This delirious vision of lovers beset by the world passes through a dizzying array of tonal shifts—from melodrama to romantic comedy to noir to disaster thriller—smoothly guided by Borzage’s unwavering allegiance to the power of love.pic.twitter.com/Hkpqy4o3sT

          1 reply 14 retweets 88 likes
          Show this thread
        7. Criterion Collection‏Verified account @Criterion Jan 15

          With MASCULIN FÉMININ (1966), the ruthless stylist and iconoclast Jean-Luc Godard introduces the world to “the children of Marx and Coca-Cola,” through a gang of restless youths engaged in hopeless love affairs with music, revolution, and one another.pic.twitter.com/abcgoi1GcA

          4 replies 31 retweets 215 likes
          Show this thread
        8. Criterion Collection‏Verified account @Criterion Jan 15

          Barbara Stanwyck and Walter Huston are at their fierce finest in the crackling western melodrama THE FURIES (1950), an often-overlooked treasure of American filmmaking by master Hollywood craftsman Anthony Mann.pic.twitter.com/OH3UyUHTeH

          4 replies 19 retweets 169 likes
          Show this thread
        9. Criterion Collection‏Verified account @Criterion Jan 15

          On our MEMORIES OF MURDER edition: commentaries featuring Bong & members of the cast & crew; a program featuring @RealGDT; an interview with Bong about the real-life serial killer who inspired the film; a doc on the making of the film; deleted scenes; an essay by Ed Park; & more!pic.twitter.com/7eJXS2g55p

          NEON
          2 replies 15 retweets 106 likes
          Show this thread
        10. Criterion Collection‏Verified account @Criterion Jan 15

          On our IRMA VAP edition: an interview with Assayas; a behind-the-scenes featurette; a 2003 interview with Maggie Cheung & Nathalie Richard; a doc on the actor who originated the role of Irma Vep; Assayas's short MAN YUK: A PORTRAIT OF MAGGIE CHEUNG; an essay by Aliza Ma; & more!pic.twitter.com/JF09rmXe3X

          3 replies 14 retweets 82 likes
          Show this thread
        11. Criterion Collection‏Verified account @Criterion Jan 15

          On our HISTORY IS MADE AT NIGHT edition: audio excerpts of a '58 interview with Borzage from the collection of @EastmanMuseum; a 2019 interview with @selfstyledsiren about Borzage’s obsession with romantic love; a radio adaptation of the film; an essay by Dan Callahan; & more!pic.twitter.com/uDJUFAu7sN

          1 reply 8 retweets 56 likes
          Show this thread
        12. Criterion Collection‏Verified account @Criterion Jan 15

          On our Blu-ray edition of MASCULIN FÉMININ: archival interviews with Chantal Goya, cinematographer Willy Kurant, & collaborator Jean-Pierre Gorin; footage from Swedish TV of Godard directing; an essay by Adrian Martin; a reprint of a report from the set by Philippe Labro; & more.pic.twitter.com/bGepAMd4K4

          4 replies 8 retweets 77 likes
          Show this thread
        13. Criterion Collection‏Verified account @Criterion Jan 15

          On our Blu-ray edition of THE FURIES: a program with Imogen Sara Smith; a '67 interview with Mann; a rare on-camera interview with Walter Huston; an essay by Robin Wood; a Cahiers du cinéma interview with Mann; a new printing of the novel by on which the film is based; and more!pic.twitter.com/ssAVVG1fDD

          3 replies 12 retweets 65 likes
          Show this thread
        14. End of conversation

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