Two lovers cross boundaries both personal and national in this ambitious, zigzagging love story, one of the most romantic films of this century.
Read @szacharek on Paweł Pawlikowski’s COLD WAR:https://www.criterion.com/current/posts/6698-cold-war-you-re-my-only-home …
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"Berlin, Paris, Warsaw: no city can hold them together for long, though the borders imposed by communism aren’t necessarily more rigid than the ones they draw for themselves with their quarreling, their jealousies, their resentments."pic.twitter.com/RcosHKQT8m
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"Pawlikowski is so alive to the lovers’ faces that it seems he has planned the whole movie around them."pic.twitter.com/UffYdmUhxt
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"Kulig’s face is a wonder, capturing the lunar gradations of Zula’s moods and feelings throughout the film, her vulnerability, her flashes of anger, her desire to put things right even as she doesn’t know how to."pic.twitter.com/BtgZq2Usev
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"The faces of the lovers—bereft or joyful, clouded or radiant—tell the whole story of COLD WAR. When the line between one country and another can shift overnight, where, exactly, is home? Wiktor and Zula find it and lose it, again and again, in each other’s eyes."pic.twitter.com/ohFjzAeMuW
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