I thought it resolved well. I really enjoyed the “Joi” storyline too.
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I felt the decaying, basically uninhabitable future Las Vegas really worked. Esp. with the glitching holographic Elvis performance.
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Plus it finally got Deakins his Oscar.
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I haven't been that emotionally invested in an Oscar since...ever. Usually I don't care. That year I toggled straight into IF DEAKINS DOESN'T WIN, I RIOT. (Fortunately I did not have to riot. I am ill-suited for rioting. It would be a very anxious, self-conscious riot. ;)
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Haven't seen it, but, "I'd rather watch something bold fail, than something rote scrape by." Yes *10^40. And it goes double with our own work. As Papa Wallenda said, life is on the wire, the rest is just waiting.
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Exactly. Shoot for the moon, because even if you don't make it, you might still get pretty far.
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yeah that’s pretty much bullshit
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Both films were slowly paced on purpose, challenging what it meant to be human, and cinematic art. Neither was perfect but both set a high bar. Arrival was not as cinematic, Ex Machina not as deep, but we have good trends here.
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I love how it revisited the first movie's world--Scenery, music, all the aesthetics are spot on. What was disappointing is that it came *so close* to being a grand narrative, probing bigger questions--then turned into an average plot w/ usual Hollywood faults. Still good though.
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https://www.youtube.com/watch?v=6IcLnerkEZo& … here, let
@mikeyface enhance your appreciation of itMerci. Twitter en tiendra compte pour améliorer votre fil. SupprimerSupprimer
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Le chargement semble prendre du temps.
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