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Prikvačeni tweet
I’m happy to announce that Yale’s Beinecke Library has acquired my literary archive.https://twitter.com/BeineckeLibrary/status/1172161699585101825 …
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today a wise scholar discovered that I’m a double Virgo
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Nello Santi (along with Fausto Cleva) epitomized the opera culture I still love: again and again I’ve listened to Santi’s recording of Montemezzi’s “L’Amore dei tre re,” Moffo’s final boxed set—secret verismo treasure, my undying companion.https://twitter.com/zwoolfe/status/1225489831918276609 …
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“But first, though, notice how delightfully / Their bestiality will be revealed.” (Goethe’s FAUST, translated by Randall Jarrell)
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Wayne Koestenbaum proslijedio/la je Tweet
"Wouldn’t you / run away to catch / an ocean if it called / and asked for you by your first name— / as if the sea has plans for you, churning / in memory of what you / do not know lies ahead, a future strange / as the fate of my friend Sue" -
@CampMarmalade, 'Shéhérazade' (1990)Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
debris of civilization, a drama in five acts, we’re on scene five act five, waiting for costume change, denouement, final couplet
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would love to see adorable Sacha Baron Cohen in an incendiary face-off with Jared Kushner (is the expression “tear him a new one” permitted on Twitter?)https://twitter.com/SachaBaronCohen/status/1201632968336433154 …
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Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi
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is the Super Bowl the Rose Bowl? the Hollywood Bowl? I live in a confusing welter of bowls and I do not belong to any consensus concerning curves or rotunditieshttps://twitter.com/morganapple/status/1224048724373983232 …
Prikaži ovu nitHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
beautiful, revolutionary film—an overwhelming visual experience—how to begin to describe the textures that Allah records and amalgamates?—interruption, schism, silence, smile, ocean, limb, belly, grave, car, pick-up—every vignette a shock—aimed toward regenerationhttps://twitter.com/mubi/status/1221221210014380032 …
0:50Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
the b-minor sadness of endtimes the key (b-minor) of believing that the worst will bear fruit in improbable reversals am I being too cryptic and musicological and eschatological?
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listening to Callas sing “Divinités du Styx” live in 1954 in Milan while I make rude lines with orange Flashe vinyl paint in 2020 in New York is my momentary definition of embodiment
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Wayne Koestenbaum proslijedio/la je Tweet
"To know Wayne Koestenbaum is to love him—for the intensity of his studies, the nuance of his self-reflections, the exactitude of his articulations."
@MeganVolpert interviews Wayne (@CampMarmalade ) in anticipation for his new book for@PopMatters : http://bit.ly/311x8wjHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
more cake ideas: “Cake Utopia,” “Cake for Paranoids,” “Cake and Catastrophe,” “Toward a Radical Poetics of Cake,” “Cake’s Unconscious,” “Transfigured Cake Necropolis”https://twitter.com/PopMatters/status/1221983755797254144 …
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Sibylle Lacan: “We ought not to leave the dead too long alone.”
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Jacques Lacan was a smart cookie, but the upshot of his daughter Sybille’s memoir is that he was a callous louse
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talking about how to be a reverse (beneficent) Dracula via errant prose
@softskullhttps://twitter.com/PopMatters/status/1221908270144729088 …
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Verdi’s “Il Corsaro” in concert please to give pep to the cabaletta-craving populacehttps://twitter.com/zwoolfe/status/1221805447742705664 …
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A conversation with the inventive Megan Volpert about my forthcoming book of essays, prepped for pre-ordering at
@softskullhttps://twitter.com/PopMatters/status/1221849163324895238 …
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tomorrow night in NYC I will read a new apocalyptic playlet featuring a sordid bunch of dreamers, including Skippy Edison, Boss Quince, and a person who claims to be Dyan Cannon, the once wife of Cary Grantpic.twitter.com/gUZgW9dYLY – mjesto: Club Cumming
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Godard’s “The Image Book” changes forever my sense of what a cinematic “cut” can deliver— ethics and aesthetics of non-alignment, non-synchronization, merciless juxtaposition, chromatic hyper-saturation, optical noise (pixel carnival), voice-over whisper
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