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Furthermore at the time that our cultural products became hegemonic the people who produced a huge percentage of them lived under a regime of legalized semislavery so I think we can safely rule out our freedom as an engine of creativity.
Freedom is relative, not a binary. I have relatively little problem concluding that the United States was, even in 1950, relatively more free than other large countries, even though I also very much agree that it was far less free than today and than it ought to have been.
And I'd also argue that cultural production contributes to soft power. I can think of no government action in the last half-century that likely has as much diplomatic utility in the long run than the fact that a character called 'Captain America' in the unimpeachable goodguy...
...of the world's most successful action franchise.
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