Second, mind your audience. I already see y'all looking over your shoulders at the doktorvater, the advisor, the colleagues. If you are going to write for the public and succeed, you need to write for the public. Don't write for your colleagues *at* the public.
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3) Honey on the cup of wormwood (Lucretius, DRN 1.939-41) - always lead with the hook, where the hook is going to be some modern connection, either a modern work of pop culture or a modern assumption about the past.
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In retrospect, I didn't plan this, but if you can tap into an existing subculture, that can really help build an audience, because chances are those folks have their own forums and reddits where they share neat stuff.
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My initial audience came pretty heavily out of the fantasy literature community (esp. on Reddit) because I had used GoT and LOTR has some of my hooks. Then those folks evangelized my work to other people.
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My final bit of advice is to be on Twitter and to curate a professional persona on Twitter. The public you want to reach isn't on twitter, but the journalists, editors, podcasters, etc. that you want to use to reach that public are.
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Twitter is almost never a major driver of traffic on ACOUP (it's there, but in 26 months, twitter has been my top referrer in just 3 of them), but doing my public engagement history bit on twitter has gotten me opportunities to write elsewhere that were very good.
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I'm sure I'm forgetting things, but that's what comes to mind right now. By far, the biggest thing is to get out and start doing it.
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