Good music often tricks the ear to preserve the perception of a pattern, when it'd sound bad if the pattern were actually stuck to
It's easy to believe good music is more geometrically regular, or mathematically elegant, than it actually is
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Every theme transition an apology, every layering of elements an obfuscation
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They want you to believe bass lines are full-blown independent patterns, capable of surviving on their own. They're not. It's a lie
End of conversation
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