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There's always this little thing about the SNES and the wider colour spectrum that makes adding extra detail all that more amazing, because of the extra options.
I suspect they especially wanted to show off that the art was really 16 bit, after years of being limited to more flat shading. Even if an area (e.g. rear arm/leg) should be in shadow and not have detail, they would make it lit with lots of detail.
That's what I believed as well. At first, a lot of the games were based on the 16-meg carts, and a lot of the Japan end was sporting 32-megs of prowess. Here in the US, the color pallette was quite epxansive, and the designers wanted to *show* it, with the extra detail.
It wasn't until later in the US lifecycle that 32-meg carts became a thing, and the usage of software that ported 3D rendered graphics to 2D aspects for that extra "vividness" courtesy of Rare actually pushed the boundaries on that design. It was incredible, seeing that.
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