Two, the entire film is basically telephone and notepad porn. So many curly wires, and close-up mouths mumbling into black plastic receivers, and pencils scribbling dramatically on paper. I dreamed all night about telephones with rotary dials.
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I had a similar reaction watching it last year
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I was like, "Why are we watching these two dudes harassing their female colleagues and feeling butthurt about story inches when we could be following the actual action?"
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Yup! “all the president’s men” does not age well. The sexual-harassment-as-news-gathering needed much explanation & discussion too, when I showed the movie in my news class
(and even harder to watch Dustin Hoffman doing it
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I know!!! All those interviews with women where the strategy is basically to bully them and creepily tell them how hot they are while they almost cry.
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Yeah, I watched it recently and even though I read NIXONLAND and listened to the first season of SLOW BURN I spent most of it wondering what events in the 1972 Democratic primarily I wasn’t getting
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At one point they scoff at John Mitchell leaving the campaign to be close to his family, but as there is no discussion about how he had his wife kidnapped, it makes you wonder how it plays to people who otherwise don’t know the story
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It also weirdly feels like Steven Spielberg's set up The Post as a direct prequel to it.
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And, watching Spielberg's historical films? He drops 0 context into for any of them: he assumes that the audience is up to speed, which is interesting to see.
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If the media landscape then was what it is today, they 100% would have make it as a prestige TV movie, because that's really how it feels watching it now. Complete with the super-rushed ending.
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noodles.