Did Beethoven really intend such ULTRA WIDE loud-soft disparities in his music? They could be narrower. Whisper, swell, not whisper, boom.
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Are conductors misreading him? What if we tried the symphonies as if a hearing Beethoven had conducted them....?
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Not sure, Amity. The early stuff, while he still had his hearing, does seem to want big dynamics: the Pathétique sonata, the first symphony.
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Le chargement semble prendre du temps.
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