Baby Driven.
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Didn't really get into it until the second act, but then found the entire final segment unbearably tense (in a good way).
If I was writing a thinkpiece, it'd be about the weird way the film handles stakes. They're not clear, and then they're EVERYTHING.
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My biggest disappointment with it was that none of the soundtrack/the way it paired with the action did The Thing.
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You know, like Kavinsky in Drive, or 110th Street on Jackie Brown. Hearing a song in a way you'll never untangle from the film?
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