TEENAGE BOUNTY HUNTERS is a modern Buffy/Veronica Mars-a-like from the Jenji Kohan stable at Netflix. "Zippy" is the word I've used – the dialogue, the plotting, the immediacy of the characters.pic.twitter.com/5C4X79071G
Voit lisätä twiitteihisi sijainnin, esimerkiksi kaupungin tai tarkemman paikan, verkosta ja kolmannen osapuolen sovellusten kautta. Halutessasi voit poistaa twiittisi sijaintihistorian myöhemmin. Lue lisää
(It's also very funny, natch, and a wonderful portrayal of female friendship, and it has Hannibal Buress in so what more do you need honestly... but, just saying, it hits a little different when you're sorely missing your friends and doing stuff out in the world.)
OFF MENU is, to pick a predictable metaphor, my 2020 comfort food. The rare interview podcast where I listen to every episode – I might not care about the guest but do I want to judge their food opinions? yes, obviouslypic.twitter.com/k5R59JjJYf
From the other end of my podcast interests: CEREBRO is a character-by-character X-Men show. Part explainer, part discussion, with some great perspectives from the guests. As DoX pushes the subtext to the forefront, a good look at the queerness of Marvel's Merry Mutants.pic.twitter.com/lCJR0ZGxPa
SUPERMAN SMASHES THE KLAN is a fascinating comic, and not (only) for the reasons I expected. It's a child-friendly look at racism that has got plenty for grownups. Balances nuanced depiction of the Asian-American experience with getting to see Superman wreck some racists.pic.twitter.com/qDtCkQag3Q
Two episodes to go, but LOVE LIFE is basically a new Anna-Kendrick-starring indie romcom every week. I remember when I first watched Eternal Sunshine, and went on the hunt for films that felt like its more down-to-earth parts – this is exactly what I was looking for.pic.twitter.com/O6S9oKKk72
I watched the first episode and thought 'oh, this seems aggressively targeted at @Reecelipman'. And then, a few later, there was a scene set at the Hamilton merch stand. Just laser focused. I dunno if he's watched it yet.
It's got two big formalist devices, one I'm unsure about (the omniscient narrator, which I'm hoping will pay off somehow) and one I *love* (every episode is a new person, and a different era in the lead's life). This could be a trap, but the show finds some interesting twists.
...okay, phew. I think that's my mental drafts folder cleared out. Anyone else got stuff they want to rec? If I'm not familiar I'll make an effort to check it out, if I am I can probably co-sign.
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