But this isn't really that. In TV terms, it's more 1996 than 2018 – as made clear by Thompson's pitch-perfect Salem banter. I can practically hear Nick Bakay's deadpan on these lines.pic.twitter.com/RrbvCadWCP
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Any theories on why Sabrina has a vinyl of 1950s calypso group The Talbot Brothers of Bermuda? Maybe just be a creator's jam, but it feels so *specific*, and googling doesn't suggest any obvious connections.pic.twitter.com/QcxL46F9l2
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Can't quite get my head around this lettering decision. Putting Ren's feet in front of the narrative caption places it in the world – which can be an effective technique. But here it just messes up the sense of perspective. Is Ren actually a tiny man stood in the foreground?pic.twitter.com/6pTGslOlet
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The match-cut is a surprisingly rare technique in comics, but it can be really effective. Like these panels, emphasising the contrast between Sabrina before and after.pic.twitter.com/5W2jVsy8uo
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And to finish, a weird little coincidence I discovered when buying this issue on Comixology this morning: there are two comics out this week with matching covers – SABRINA #1 and Jenny Frisson's cover for the final issue of HEX WIVES. Is it coincidence... or magic???pic.twitter.com/xO4XQyN8GX
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And that's it for this Wednesday's
#oneweekcomic! What do we say to anyone looking for quality tweets on the week's most interesting new issue, Salem?pic.twitter.com/frKggc0s3p
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...That's right, my furry little friend! And remember, you can read previous threads on Twitter using the
#oneweekonecomic hashtag, or in blogpost format over at http://timplusalex.com/tag/one-week-one-comic/ ….pic.twitter.com/TqpcKuRDri
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