The way Nico's spells are treated as a limited resource, with no repeats. (An idea from the original series, but this really, ahem, runs with it.) It forces magic to be inventive and novel, rather than a solve-all.pic.twitter.com/V3U6NoNz80
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The way Nico's spells are treated as a limited resource, with no repeats. (An idea from the original series, but this really, ahem, runs with it.) It forces magic to be inventive and novel, rather than a solve-all.pic.twitter.com/V3U6NoNz80
The new outfits Anka designs for every issue. Each character has a consistent style, without wearing the same clothes over and over. It's a wardrobe, not a costume.pic.twitter.com/hrzBWp2qVO
Relatedly: Chase's outfits from the '00s series being recycled as clothes for Gert. It's a neat touch that suggests so much about her character, and a cool visual easter egg for old fans.pic.twitter.com/mKpx0nmpQo
In fact, the whole team are great at treating all of these characters' appearances (which, of late, have been increasingly scattered) as part of their story. "Avengers A.I." and "The Vision" are integral to Victor's arc here. I actually like all three stories more as a result.pic.twitter.com/exIo1vq6KA
Kris Anka is a Genius, pt 1: The pages where he just keeps the 'camera' static and pushes the characters' 'acting' to the fore. 
pic.twitter.com/hdDQvkeLUs
Kris Anka is a Genius, pt 2: He's also really good at simplifying characters down to their cartoony basics, while keeping them 100% recognisable and readable.pic.twitter.com/gTWf6XttkY
Kris Anka is a Genius, pt 3: Kinda combining the aforementioned skills, team shots where everyone's doing their own thing. It's like those crossover double-page 'rushing into action' splashes, concentrated into a single panel.pic.twitter.com/fsoP0OaJ5P
Look at how snappily dressed this Dr Doom is. Now *that* is a tyrant I'd bow to.pic.twitter.com/BVPgGs2ZkH
There could not be a more perfect showcase for Matt Wilson's colouring pyrotechnics than Karolina's rainbow powers.pic.twitter.com/eOP3Xt1FYG
Between Rowell's groundwork with the characters, and how Anka sells the moment, some of the best kisses in the business. Enough romance to make a bitter old man like me swoon.pic.twitter.com/VBo1SbO2zQ
Nice Little Easter Egg #4,129: Karolina and Julie Powers' phone backgrounds are pictures of each other as drawn by @McKelvie, from the cover of Young Avengers #15. See what I mean about its handling of the characters' pasts?pic.twitter.com/aIBS0rAqWX
At the same time, it's a comic about not being held back by the past. Both of the main villains so far, this was their main flaw. It's a neat extrapolation of the themes of the original Runaways, and especially interesting for a comic about resurrecting* old beloved characters.pic.twitter.com/FwFglMetpN
*in some cases literally. And god, I cannot believe how much they sold me on bringing Gert back.pic.twitter.com/cdvjfCrujO
Rowell is fantastic at writing the age differences in a cast that runs from 13 to 20. We're talking gaps of a year or two – but that makes a huge difference when you're a teenager, and you can really feel it here.pic.twitter.com/R1v05RUHie
Also, this scene with Karolina vocalising as a way of dealing with intrusive thoughts is, um, pretty relatable.pic.twitter.com/ggAVCEOLUk
But most importantly, Runaways (2017–) features probably the single best comics panel of all time. It will live in my reaction image folder for years to come. So, thanks for that, @RainbowRowell, @KristaferAnka & @COLORnMATT.pic.twitter.com/B8OVoirgGi
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