Thank you all for filling this thread with so many examples, that is EXACTLY what I wanted to happen.
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This was a big part of why Hart of Dixie worked as well as it did.pic.twitter.com/lefrhqQWYk
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I LOVE how important a tenth of a second can be to a romcom. Also, I could sit here dissecting the romcom form ALL DAY.https://twitter.com/bookoisseur/status/979022914988265473 …
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Jeffrey Dean Morgan is almost TOO powerful at this, it threw me for a LOOP in Supernatural where he played a truly terrible father but I still wanted him to kiss someone https://twitter.com/biscouti/status/979024152064651264 …
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And Pacey Witter is clearly the GOAThttps://twitter.com/AlannaBennett/status/979014076637634561 …
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I have developed so many disastrous crushes JUST because someone looked at me good once
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The second Ben looked at Leslie at that Freddy Spaghetti concert I knew it was endgamepic.twitter.com/G7HN4Iarra
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Oh for sure, it's the type of thing that would literally never sustain an IRL relationship but that in a TV show will have you rooting for foreverhttps://twitter.com/LauraCGurf/status/979028154206572546 …
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It is the bedrock of Matthew Goode's career.https://twitter.com/miranfahal_/status/979026242673496065 …
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Oh yes, every time Eliot looks at Quentin and vice versa the earth shakes a lil bit. Just a pleasant lil rumble.https://twitter.com/hoperehak/status/979029027628421121?s=21 …
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See, I don’t think it translates exactly. It CAN, but it’s not as steadfast a principle when it comes to women in romcoms. Probably bc it’s one of the rare genres where women consistently have more to DO, more to SAY, more to EXPRESS.https://twitter.com/balovric/status/979028801698127873?s=21 …
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It’s kind of powerful when men in romcoms don’t have to take up a lot of space to get the point across. We don’t need them to talk as much. (Should be noted this is not an entirely ironed out theory. It’s still ~developing~)
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Which is NOT to say they’re divorced from the action, far from it, ESP in stories where women are falling for women. Imagine Me and You’d entire plot TURNS on a look.pic.twitter.com/IZWcuuuyf5
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This also fueled some key and iconic moments in Moonlight, and
@BarryJenkins framed The Look so goddamn wellpic.twitter.com/QPeK3Dn9JIShow this thread -
I’ll stop soon*, but Game of Thrones gave us practically ONLY the look to try to sell audiences on Dany/Jon. They even talked about how much they stare at each other. *thats a full lie, I’ll never stoppic.twitter.com/WdtQzJyiuo
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The look is STRONG in To All the Boys I've Loved Before https://www.buzzfeednews.com/article/alannabennett/netflix-recs-to-all-the-boys-ive-loved-before-romcom …pic.twitter.com/4O74pPSdrZ
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Honestly where the fuck did Anne With an E find this teen boy who’s already mastered the art of the look to a truly intimidating degreepic.twitter.com/8bgw872x80
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I genuinely do not mean to drag this thread out, but something's on TV rn that's reminding me: A key part of the look is EDITING my first
to any bubbling-up love interest usually comes from a Look² — the CAMERA's gaze hyper-focusing on a CHARACTER's look.pic.twitter.com/c00YJx2zJg
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A Look² is really easy to spot: Just look for any moment where the camera's cutting to a character in moments where it doesn't SEEM narratively necessary to see that person's face. They're doing that for a R E A S O N
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I'M SORRY, I HAD TO USE MY LIBERAL ARTS "CINEMA STUDIES" DEGREE SOMEHOW
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This whole thread is also why it stresses me out to watch things with people who are spending lots of time not looking AT the screen, because so much of my enjoyment of the narrative comes from the seemingly-throwaway visual cues
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Adding Rio’s ~looks~ from Good Girls to this because W H E W chillay are they overwhelmingpic.twitter.com/dXAL9AOYzV
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Sorry to add to this AGAIN but it's striking me on rewatch just HOW much Notting Hill lives on the way Julia looks at Hugh. Not even the way he looks at her, because the TOPIC is the way the world looks at her. But the ROMANCE is the charm in her eyes looking at HIM.pic.twitter.com/eIIju74PJT
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