Just watched the Shining last night and noticed the same thing. Many stylistic overlaps with 2010 and Clockwork Orange.
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Of course I mean 2001.
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But I'd like to see 2010.
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2010 is actually a fine movie about the Russian/US cold war in the 1980s in space. But it is not a Kubrick film and lacks visual substance.
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Yes! I remember it now, I liked it. Completely forgotten, so thank you for accidental reminder.
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So does Wes Anderson
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I was about to make the same reply. I agree, but I think Anderson uses less forced perspective, a flatter field, and of course bolder colors. I think Kubrick and Anderson also share a slow but tense pacing that I love.
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He had those special lenses that gave him better depth of field
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Along with perspective, I would appreciate if anyone mention the wide angle lens (mm) numbers
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Thank you
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setting in The Shining is such an aesthetic
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Come play with us, Stanley. In
#4k forever and ever and ever.pic.twitter.com/xEOHyLE7quThanks. Twitter will use this to make your timeline better. UndoUndo
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One Point perspectives astound me. Focusing your eyes on one area and one area only
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@NutrioLucio este es
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Now I want to watch each of those movies again. I could watch The Shining once a week. It's not scary, but it is like an art puzzle with a plot.
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Finally a photographer!!
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Studs Terkel interview with David Hockney, track 5/3: https://www.discogs.com/Studs-Terkel-Voices-Of-Our-Time-The-Original-Live-Interviews/release/5578404 … Trust me, you will enjoy it.
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Think you missed Barry Lyndon, maybe the most one-pt perspective shots of them all.
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