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Prikvačeni tweet
When I have some spare time I work on this little Venera VR experience. It is rather limited in scope but It is really quite different to actually stand there compared to trying to decipher the landers strangely projected photos.https://twitter.com/3dmattias/status/838148106680168449 …
0:45Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
3ds MAX Opens track view. It decides to show frames 0 to 60000 for no reason. Current track is a script controller. Max obviously force evaluates the script for each frame. The script is a for loop looping from frame 0 to currentframe. This will take hours. No escape.
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Mattias Malmer proslijedio/la je Tweet
The names of 100 prisoners are put in 100 boxes. One at a time, privately, each prisoner opens and closes 50 boxes. They are set free if *everyone* finds their own name. Strategy can be discussed beforehand, but otherwise there's no communication. What's the best strategy? 1/23
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Mattias Malmer proslijedio/la je Tweet
New Paper: Adversarial Generation of Continuous Implicit Shape Representations We propose two GANs with a DeepSDF network as the generator and either a 3D CNN or a Pointnet as the discriminator. Written by
@rusty1s and me! Paper: https://arxiv.org/abs/2002.00349 pic.twitter.com/Cj7FR4NRfJPrikaži ovu nitHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Karl Sims but you are evolution.https://twitter.com/anastasiaopara/status/1224440088806866944 …
0:36Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi
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Mattias Malmer proslijedio/la je TweetHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi
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Mattias Malmer proslijedio/la je Tweet
I'm excited to be back on the
@joerogan podcast this Monday to talk about AI, autonomous vehicles, robots, and everything else. For fun, and to say thank you for 10 years of JRE, here's my quick attempt at playing the JRE theme on guitar. Full version: https://www.youtube.com/watch?v=JBdMWnrI3fM …pic.twitter.com/DQAfDtkVtCHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Incredibly effective. Oscar Reutersvärd would approve!https://twitter.com/creapills/status/1223307793412894721 …
0:10Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
Welcome to Hellworld.https://twitter.com/kmlefranc/status/1221869659139366912 …
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Here is all the values from -2 to 4. makes a really beautiful shape. Someone should make it into a lamp.pic.twitter.com/kZ8daimYPb
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I really enjoy the logistic map. I was a bit surprised over the interesting 3D distribution of the detail clustering that happens in the chaotic regions after R=3.5.pic.twitter.com/856EIXRt7c
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Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi
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Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi
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Beautifully frustrating game.https://twitter.com/increpare/status/1222459865601380352 …
2:20Hvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi -
This looks like a really powerful general approach to solving some really difficult problems:https://youtu.be/T7w7QuYa4SQ
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Mattias Malmer proslijedio/la je Tweet
Vast data center No outlet for my vacuum I'll just unplug this
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Not sure how reliable this coronavirus data is but it is interesting: https://gisanddata.maps.arcgis.com/apps/opsdashboard/index.html#/bda7594740fd40299423467b48e9ecf6 …
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One fun idea in the paper is to use these creatures to test physics simulation engines. Any rounding errors or failure to conserve energy will ruthlessly be exploited.
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The wonderful results of Karl Sims "Evolving Virtual Creatures" paper: https://karlsims.com/papers/siggraph94.pdf …https://www.youtube.com/watch?v=RZtZia4ZkX8 …
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Mattias Malmer proslijedio/la je TweetHvala. Twitter će to iskoristiti za poboljšanje vaše vremenske crte. PoništiPoništi
Čini se da učitavanje traje već neko vrijeme.
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Crédits : Matt Taylor (

