zachnfine
- I know I'm about 3 years late in noticing, but this horror remix of a Sleepless in Seattle trailer is pretty cool: http://is.gd/1uV0Vabout 2 hours ago from TweetDeck
- @kimothie aw, thanks. Glad to hear it. Blogging more than 140 chars at a time seems almost an anachronism, but I keep it up for some reason.about 12 hours ago from TweetDeck
- Man, that film would've been a half-hour shorter without all the damned slow motion.about 12 hours ago from TweetDeck
- Am watching the Korean monster film,"The Host". It's surprisingly boring and stupid from the halfway pt onward, but I can't just stop now.about 12 hours ago from TweetDeck
- It was a brilliant move by the makers of 'Kings of Kong' to put wireless mics on folk. Got many telling statements distant from camera.about 15 hours ago from TweetDeck
- OMG, Mr. Awesome?! It is amazing that these people existed. Wow.about 15 hours ago from TweetDeck
- Not sure this film's more cutesy motion graphics interludes are necessary, id have preferred a more 'American Movie' style.about 15 hours ago from TweetDeck
- Am using netflix instant streaming, through frontrow, using the Understudy, controlled using mobile air mouse on iPhone. Simple joys? Feh.about 16 hours ago from TweetDeck
- Am 12 minutes into "Kings of Kong". I'm already in love with those character introductions. Wow.about 16 hours ago from TweetDeck
- RT @Filmbot: RT @vfxhack: Tron Reboot a must for any fan of "backlight compositing" and glowing butt cracks- Hilarious http://bit.ly/109V9dabout 17 hours ago from TweetDeck
- @dmcm I thought that was going to be some sort of fan-made retelling of Eyes Wide Shut. I guess it sorta is.about 23 hours ago from TweetDeck in reply to dmcm
- RT @Filmbot: RT @vfxhack: Clowning around on Star Wars VFX stage. ILM circa 1976 (via @vfxhaiku) http://bit.ly/QZmfC10:53 AM Jul 10th from TweetDeck
- Where can one find a good haruspex on short notice these days?12:44 AM Jul 10th from TweetDeck
- @kimothie My brain was like "why can't I focus on their faces? They keep swimming around." Luckily 99% of the film wasn't that way.12:42 AM Jul 10th from TweetDeck in reply to kimothie
- @kimothie When I saw SuperBad, it didn't dawn on me that it was digitally acquired until one 360º shutter shot, in the dark, on a road.12:41 AM Jul 10th from TweetDeck in reply to kimothie
- @kimothie 1/60th * 60 fields per second (ok, 59.94) isn't as smeary-looking as 1/24th shutter 24 frames per second IMO.12:35 AM Jul 10th from TweetDeck in reply to kimothie
- @kimothie Your TV material, standard ol' video, is probably at a 360º shutter equivalent, but at a higher frame rate. Smooth and sharp.12:34 AM Jul 10th from TweetDeck in reply to kimothie
- @kimothie Argh. That should've read "twice the motion blur of normal". I think it's past my bedtime.12:33 AM Jul 10th from TweetDeck in reply to kimothie
- Wrote my first page in Final Draft tonight. Will not be the last. Fun to write and rewrite dialogue.12:30 AM Jul 10th from TweetDeck
- @kimothie 360º shutter makes facial components swim around, twice the motion blue or normal 180º material. Harder on my optical cortex.12:24 AM Jul 10th from TweetDeck in reply to kimothie
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- Name zachnfine
- Location Tehran
- Web http://zachfine.c...
- Bio I am become Zach, destroyer of multimedia
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