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zachnfine

I know I'm about 3 years late in noticing, but this horror remix of a Sleepless in Seattle trailer is pretty cool: http://is.gd/1uV0Vabout 2 hours ago from TweetDeck
@kimothie aw, thanks. Glad to hear it. Blogging more than 140 chars at a time seems almost an anachronism, but I keep it up for some reason.about 12 hours ago from TweetDeck
Man, that film would've been a half-hour shorter without all the damned slow motion.about 12 hours ago from TweetDeck
Am watching the Korean monster film,"The Host". It's surprisingly boring and stupid from the halfway pt onward, but I can't just stop now.about 12 hours ago from TweetDeck
It was a brilliant move by the makers of 'Kings of Kong' to put wireless mics on folk. Got many telling statements distant from camera.about 15 hours ago from TweetDeck
OMG, Mr. Awesome?! It is amazing that these people existed. Wow.about 15 hours ago from TweetDeck
Not sure this film's more cutesy motion graphics interludes are necessary, id have preferred a more 'American Movie' style.about 15 hours ago from TweetDeck
Am using netflix instant streaming, through frontrow, using the Understudy, controlled using mobile air mouse on iPhone. Simple joys? Feh.about 16 hours ago from TweetDeck
Am 12 minutes into "Kings of Kong". I'm already in love with those character introductions. Wow.about 16 hours ago from TweetDeck
RT @Filmbot: RT @vfxhack: Tron Reboot a must for any fan of "backlight compositing" and glowing butt cracks- Hilarious http://bit.ly/109V9dabout 17 hours ago from TweetDeck
@dmcm I thought that was going to be some sort of fan-made retelling of Eyes Wide Shut. I guess it sorta is.about 23 hours ago from TweetDeck in reply to dmcm
RT @Filmbot: RT @vfxhack: Clowning around on Star Wars VFX stage. ILM circa 1976 (via @vfxhaiku) http://bit.ly/QZmfC10:53 AM Jul 10th from TweetDeck
Where can one find a good haruspex on short notice these days?12:44 AM Jul 10th from TweetDeck
@kimothie My brain was like "why can't I focus on their faces? They keep swimming around." Luckily 99% of the film wasn't that way.12:42 AM Jul 10th from TweetDeck in reply to kimothie
@kimothie When I saw SuperBad, it didn't dawn on me that it was digitally acquired until one 360º shutter shot, in the dark, on a road.12:41 AM Jul 10th from TweetDeck in reply to kimothie
@kimothie 1/60th * 60 fields per second (ok, 59.94) isn't as smeary-looking as 1/24th shutter 24 frames per second IMO.12:35 AM Jul 10th from TweetDeck in reply to kimothie
@kimothie Your TV material, standard ol' video, is probably at a 360º shutter equivalent, but at a higher frame rate. Smooth and sharp.12:34 AM Jul 10th from TweetDeck in reply to kimothie
@kimothie Argh. That should've read "twice the motion blur of normal". I think it's past my bedtime.12:33 AM Jul 10th from TweetDeck in reply to kimothie
Wrote my first page in Final Draft tonight. Will not be the last. Fun to write and rewrite dialogue.12:30 AM Jul 10th from TweetDeck
@kimothie 360º shutter makes facial components swim around, twice the motion blue or normal 180º material. Harder on my optical cortex.12:24 AM Jul 10th from TweetDeck in reply to kimothie