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screenwrightist

  1. naming characters is so different for screen vs prose: Dimon could be said "diamond" but in prose it's ambiguous (dee-mun? dye-moan?).
  2. Watching cat videos I miss having a cat. Dressing I don't miss picking cat hair. In the bathroom I don't miss slipping on spilt litter.
  3. is it co-dependent of me to worry about a friend who is working on getting over co-dependence... or is that just the normal friend thing?
  4. http://www.thewritenetwork.com - lots of great writing articles. they just added mine, too.
  5. put your prose thru this brevity test before "done": can it be comprehended by reading just one sentence per pararaph. yes = fewer words pls
  6. funny how people can waste time doing the same things people do in video games but since it looks like work they get by with it.
  7. the most utilitarian two letter acronym has to be P.O. = post office, parole officer, purchase order, pissed off.
  8. when people behave like happy people, it doesn't mean they are necessarily happy... lots of great fakers out there.
  9. who are the people in your story, really? characterization can suggest, but action makes it clear.
  10. every person is eccentric in some manner, characters without similar unique and intriguing aspects won't feel real.
  11. story structure is not meant to stifle your creativity, rather a favor to your reader/audience and helping to better communicate with them.
  12. story structure is not meant to stifle your creativity, rather a favor to your reader/audience and helping to better communicate with them.
  13. it used to bother me so much that humongous wasn't in the dictionary...
  14. the more synonyms the more likely we can make clever-sounding aphorisms with no basis in reality that we wish were true.
  15. caught a young man reading Fight Club while also eating messy chili fries... conspicuous enough, but still nobody talked to him.
  16. forgive me Father for I have sinned: I read Cliff's Notes of novels I'm otherwise unlikely to finish. also I jaywalk sometimes.
  17. 1/2 in essence all stories are dramatic, but the more situations test characters (conflict) the more relevant it is to an audience or read
  18. early biographers saw little value in sunny portraits. mistakes, missteps, foibles - we learn from these and they all involve conflict.
  19. eavesdropping on argument in apt above me till above-left apt turned shower on and I couldn't hear well enough to get many juicy bits...
  20. saw an infant with really long nails. wonder if when grown the child can collect disability from self-blinding due to parents' laziness.