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gemko

  1. @AndrewDignan It's 3/day so I do one when I wake up, one right before I go to sleep and the thjird usually around dinnertime. about 6 hours ago from Seesmic in reply to AndrewDignan
  2. #88: 3-iron (2004, Kim Ki-duk). Begins as a beguiling enough tale told with superb visual economy, turns into something truly bizarre. about 6 hours ago from Seesmic
  3. @ballywick As an actress, very much so. As a singer, not so much, no. about 8 hours ago from Seesmic in reply to ballywick
  4. Not that anyone cares, but I just realized I screwed up my list. Overlooked Volver (2006, Pedro Almodóvar). Insert at #97. Sorry CHOPPER. about 9 hours ago from Seesmic
  5. I think I need to generate one of these TweetClouds just to see how big "retarded" turns out to be. about 10 hours ago from Seesmic
  6. Imagine this approach taken to, say, PJ Harvey. As is, it's a bit like watching a gorgeous doc of Ludacris preparing for 2 FAST 2 FURIOUS. about 12 hours ago from Seesmic
  7. Ne change rien ('09 Costa): 63. I absolutely LOVE the idea of this film, but can't for the life of me understand why Balibar is its subject. about 12 hours ago from Seesmic
  8. #89: BirdWatchers (2008, Marco Bechis). Probably the least-seen film on my list. Remarkably non-patronizing depiction of an "alien" culture. about 12 hours ago from Seesmic
  9. Although I was listening to it in a small CD store. (Quake literally knocked me to ground.) Maybe they had an advance copy 4 listening only. about 12 hours ago from Twitterrific
  10. Hmm. 1989 Loma Prieta quake was on 17 Oct. Wiki says STORM FRONT released 31 Oct 89. Yet I'm 100% sure I was listening to it when quake hit. about 13 hours ago from Twitterrific
  11. @rcjohnso I don't remember any awesomeness in STORM FRONT. And I'm a completely unapologetic Billy Joel fan for the most part. about 13 hours ago from Twitterrific in reply to rcjohnso
  12. #90: Eureka (2000, Shinji Aoyama). Visually spectacular, awesomely disorienting portrait of collective catharsis. What happened to this guy? about 22 hours ago from Seesmic
  13. I remember OPEN HEARTS because of the always-awesome Paprika Steen and I remember AFTER THE WEDDING because ugh, but BROTHERS went poof. 11:43 PM Nov 28th from Seesmic
  14. Surprised—nay, shocked—to discover that not only did I see the original Danish version of BROTHERS, I almost kinda sorta liked it. (57) 11:40 PM Nov 28th from Seesmic
  15. @vjmorton Here in America we call that film HATE, Frenchie. 9:47 PM Nov 28th from Seesmic in reply to vjmorton
  16. #91: Road to Perdition (2002, Sam Mendes). The closest M. has come to (cine-)excellence, precisely because it's just an exercise in style. 8:22 PM Nov 28th from Seesmic
  17. @bentclouds Even if it were, who's overrating that other than me? 3:29 PM Nov 28th from Seesmic in reply to bentclouds
  18. Considering rewatching my #91 film just to make sure I really still like it that much. It'll be the first one to make most people say WTF? 3:06 PM Nov 28th from Seesmic
  19. @AlejandroAdams Sure. I just didn't care for his choice to revert to tactile abstraction and turn that long conversation into a fulcrum. 3:00 PM Nov 28th from Seesmic in reply to AlejandroAdams
  20. @AlejandroAdams I didn't especially like HUNGER, though I plan to watch it again. Third "act" (the actual hunger strike) killed it for me. 2:48 PM Nov 28th from Seesmic in reply to AlejandroAdams