gemko
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@ It's 3/day so I do one when I wake up, one right before I go to sleep and the thjird usually around dinnertime.
about 6 hours ago
from Seesmic
in reply to AndrewDignan
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#88: 3-iron (2004, Kim Ki-duk). Begins as a beguiling enough tale told with superb visual economy, turns into something truly bizarre.
about 6 hours ago
from Seesmic
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@ As an actress, very much so. As a singer, not so much, no.
about 8 hours ago
from Seesmic
in reply to ballywick
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Not that anyone cares, but I just realized I screwed up my list. Overlooked Volver (2006, Pedro Almodóvar). Insert at #97. Sorry CHOPPER.
about 9 hours ago
from Seesmic
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I think I need to generate one of these TweetClouds just to see how big "retarded" turns out to be.
about 10 hours ago
from Seesmic
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Imagine this approach taken to, say, PJ Harvey. As is, it's a bit like watching a gorgeous doc of Ludacris preparing for 2 FAST 2 FURIOUS.
about 12 hours ago
from Seesmic
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Ne change rien ('09 Costa): 63. I absolutely LOVE the idea of this film, but can't for the life of me understand why Balibar is its subject.
about 12 hours ago
from Seesmic
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#89: BirdWatchers (2008, Marco Bechis). Probably the least-seen film on my list. Remarkably non-patronizing depiction of an "alien" culture.
about 12 hours ago
from Seesmic
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Although I was listening to it in a small CD store. (Quake literally knocked me to ground.) Maybe they had an advance copy 4 listening only.
about 12 hours ago
from Twitterrific
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Hmm. 1989 Loma Prieta quake was on 17 Oct. Wiki says STORM FRONT released 31 Oct 89. Yet I'm 100% sure I was listening to it when quake hit.
about 13 hours ago
from Twitterrific
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@ I don't remember any awesomeness in STORM FRONT. And I'm a completely unapologetic Billy Joel fan for the most part.
about 13 hours ago
from Twitterrific
in reply to rcjohnso
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#90: Eureka (2000, Shinji Aoyama). Visually spectacular, awesomely disorienting portrait of collective catharsis. What happened to this guy?
about 22 hours ago
from Seesmic
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I remember OPEN HEARTS because of the always-awesome Paprika Steen and I remember AFTER THE WEDDING because ugh, but BROTHERS went poof.
11:43 PM Nov 28th
from Seesmic
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Surprised—nay, shocked—to discover that not only did I see the original Danish version of BROTHERS, I almost kinda sorta liked it. (57)
11:40 PM Nov 28th
from Seesmic
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@ Here in America we call that film HATE, Frenchie.
9:47 PM Nov 28th
from Seesmic
in reply to vjmorton
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#91: Road to Perdition (2002, Sam Mendes). The closest M. has come to (cine-)excellence, precisely because it's just an exercise in style.
8:22 PM Nov 28th
from Seesmic
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@ Even if it were, who's overrating that other than me?
3:29 PM Nov 28th
from Seesmic
in reply to bentclouds
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Considering rewatching my #91 film just to make sure I really still like it that much. It'll be the first one to make most people say WTF?
3:06 PM Nov 28th
from Seesmic
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@ Sure. I just didn't care for his choice to revert to tactile abstraction and turn that long conversation into a fulcrum.
3:00 PM Nov 28th
from Seesmic
in reply to AlejandroAdams
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@ I didn't especially like HUNGER, though I plan to watch it again. Third "act" (the actual hunger strike) killed it for me.
2:48 PM Nov 28th
from Seesmic
in reply to AlejandroAdams
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