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Headsticks

  1. Planet B-Boy: What you get when FR, JP, SK & USA breakdancing teams sleep/eat/battle in a DE elementary school. Righteous.
  2. Der Baader Meinhof Komplex: Uli Edel shakes out the crumpled shirt of terrorism and pulls in for a closeup of the wrinkled topography.
  3. Sphere and Plate, 2000: Robin Stanaway's suspended water globule installation, flipping the view outside with camera obscura luminance.
  4. Diana & Nikon: Malcolm is sharp and clear in her assessments. Like the swift slotting change of a new lens combination at the optometrist's.
  5. The Adventures of Sherlock Holmes: Jeremy Brett is the one, the only actor to capture the electric eccentricity of the detective.
  6. Bewitched: Yeondoo Jung's paired video portraits; the best one a Baskin- Robbins worker mopping into polar explorer with spear.
  7. Anne Truitt: Not a sculptor; she just knew that the colors needed to be tall to sing. http://hirshhorn.si.edu/
  8. The Blue Planet: Phosphorescent camouflage, an underwater sea at the bottom of the Gulf of Mexico, plumes of pink krill, orca pod hunting.
  9. American Experience, The 1930's: WGBH flexes its production skills and turns out quality historical docos about a spookily familiar time.
  10. The Men Who Stare at Goats: A gentle road flick of redemption via goats. Mr. Clooney always more comfortable as something besides pretty.
  11. Zombieland: Cute as the undead spewing black, rotting blood while trying to make you join their legions can be.
  12. Waltz with Bashir: Seeking a war through the protective walls of memory. Revealing perspectives without demonization or deification.
  13. Mystere: Lucien Levy-Dhurmer's scarfed woman holding out her medallion, impassively warding off unseen evil.
  14. Portrait of Mme Manet on a blue sofa, 1874: Dignified slumping on electric blue. Neither immediately associated with early Belle Epoque.
  15. A park, at night: Joszeph Rippl-Ronai's pastel of streetlight glowing the trees bluegreen in the almost gone twilight.
  16. Congorama: Falardeau delicately displays the blending of family through/in spite of blood and culture. Plus accidental industrial espionage.
  17. Henri E. Cross: Pointillism, far less clinical than Seurat, capturing light on a calm sea and a cascade of crimped hair.
  18. War: Jet Li and Jason Statham are both charismatic presences but there are too many guns & cars, not enough creative fight choreography.
  19. Fleck-Hussain-Meyer: Banjo+tabla+bass= confident, complimentary, mysterious.
  20. Happily Ever After: Directed by Yukihiko Tsutsumi and seemingly upholding the good wife/no good husband trope until a fall off an overpass.